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HAUS LABS Sale, Stock Up Your Favourites

As Haus Laboratories is nearing its first year anniversary, the start-up is doing a massive sale on its exclusive retailer Amazon which seems to be a celebration of a complete year in the beauty business.
The sale includes the entire range of the products that Haus has put out to date:
STUPID LOVE EYESHADOW PALETTE: $38 (Original, $48) 
GLAM ROOM No.1: $24 (Original, $34)
EYE-LIE-NER: $14 (Original, $20)
GLAM ATTACK: $14 (Original, $20)
LE RIOT LIP GLOSS: $13 (Original, $18)
RIP LIP LINER: $11 (Original, $16)
HAUS OF COLLECTIONS: $34 (Original, $49)
SPARKLE LIPSTICK: $14 (Original, $20)
MATTE LIP CRAYON: $13 (Original, $18)
The brand has launched back in September 2019 with the slogan "Our Haus, Your Rules" featuring unreleased instrumentals from Gaga's now-Chromatica track Babylon:
SHOP NOW
The brand since then expanded its original lines with new shades to its iconic staples, the Glam Attack, Lip Gloss and Lip Liners. We are excited to see where the Haus takes us next.
dpasa86
dpasa86

Lady Gaga brings Mental Health First Aid to ENIGMA

Lady Gaga and her Born This Way Foundation teamed up with the National Council for Behavioral Health to bring teen Mental Health First Aid (tMHFA) to Enigma.
This fall, the Born This Way Foundation is expanding this evidence-based program to reach more than 20 high schools, empowering young people to support each other in times of need or crisis.
Speaking with high school children who have already taken part in the program, Gaga thanked them for their bravery and invited them to join her onstage at one Enigma show.
Check out this video to see what Lady Gaga had to say about the program.
LadyOfTheDame
LadyOfTheDame

VIDEO: Lady Gaga gives powerful speech at 'Dear Class of 2020'

Lady Gaga has joined Barack Obama and Michelle Obama, as well as several other artists, on a special event called "Dear Class Of 2020", promoted by YouTube.
Gaga gave a powerful and moving speech where she talked about the current situation in the US and the 'Black Lives Matter' movement. She also revealed she had recorded a different message but later changed due to the recent death of Geroge Floyd.
Watch:
 
LittleMouse
LittleMouse

CHROMATICA: Lady Gaga's 6th Album Achievements

Lady Gaga's 6th studio album, 'Chromatica', was released worldwide last Friday, May 29th. So far the reception for Gaga's new record has been fantastic. It currently holds a Metacritic score of 81, the highest so far, for the singer. 
We compiled a list of achievements the album has earned so far:
 
1 - Chromatica is the 3rd biggest female album to ever debut globally on Spotify, and Gaga's most successful. 
thank u, next - 70.2M Lover 59.4M Chromatica 48.3M When We All Fall Asleep, Where Do We Go 47M Sweetener 37M Future Nostalgia 29.2M Invasion of Privacy 27M  Rare 25.3M Camila 19.5M Manic 17.3 2 - Chromatica is the biggest debut on Spotify this year by a female artist.
3 - Lady Gaga was the most streamed artist globally on Spotify, on May 29th, with 56 million streams.
4 - Lady Gaga simultaneously holds the top 2 spots on global Spotify, becoming the first female artist in 2020 to do so.
5 - 'Sour Candy' is the highest charting single by a Korean act on Spotify.
6 - Chromatica reached #1 on US Apple Music, currently the most streamed album on the platform.
7 - Chromatica is 2020's 3rd most discussed album on Metacritic
8 - Lady Gaga joins Eminem as the only two artists to reach #1 with a single in the UK during the last three decades. 
9 - Rain On Me debuted at #1 on the UK singles chart and it's on route to debut at #1 on the Billboard Hot 100.
10 - The audio for Sour Candy earned the biggest debut for a female collaboration in YouTube history.
 
Stream Lady Gaga's new album, Chromatica, bellow:
Spotify, Apple Music
 
 
Abderrahmenxo
Abderrahmenxo

Lady Gaga Reveals Chromatica Tracklist

Lady Gaga has just revealed the official tracklist of Chromatica. The tracklist below the picture belongs to the album's exclusive Target edition which contains an addition of 3 songs on top of the standard's 16, for a total of 19 tracks. 
The album contains multiple collaborations from the world's biggest artists: Ariana Grande, BLACKPINK and Elton John.
 
Check out the list below:
Chromatica I Alice Stupid Love Rain On Me (with Ariana Grande) Free Woman Fun Tonight Chromatica II 911 Plastic Doll Sour Candy (with Black Pink) Enigma Replay Chromatica III Sine From Above (with Elton John) 1000 Doves Babylon — TARGET EXCLUSIVE —
Love Me Right 1000 Doves (Piano Demo) Stupid Love (Remix)
Jin
Jin

Lady Gaga performs at ‘One World: Together At Home’

The night Lady Gaga has been planning for nearly several weeks in collaboration with The Global Citizen and The World Health Organization has finally reached us. Gaga, along with her collaborators, came together to curate a night full of music and love felt messages from the biggest names in music, television, sports, politics, and film.
The special ran for a total of 8 hours, broken down into 6 hours of pre show telecast available on nearly every streaming platform, and followed by a 2 hour prime time tv special airing on numerous channels and streaming platforms worldwide. 
Lady Gaga herself opened up the prime time special with a thoughtful message to the world front line medical workers, mental health specialists and first responders.
Followed by her first performance of the night, a cover of Nat King Cole’s “Smile”:
All throughout the entire show Gaga celebrated her peers and friends while periodically going live through her Instagram to cheer on the broadcast watching live with everyone across the world. 
Joined by Celine Dion, Andrea Bocelli, John Legend and renowned pianist Lang Lang, Gaga closed the show with her star studded ensemble singing “Prayer”:
We at LadyGagaNow congratulate and applaud Lady Gaga, The Global Citizen and The World Health Organization for the beautiful and well thought out production they have crafted for the world with “One World: Together at Home.” and extend our hearts and gratitude out to everyone fighting this global pandemic around the globe. ❤️
Full show
 
Matheus
Matheus

Lady Gaga Live with WHO

Lady Gaga joined the World Health Organization (WHO)'s media briefing conference in the morning of Friday 17th. She was joined by the CEO of Global Citizen Hugh Evans ahead of the One World: Together At Home event that Gaga herself curated in partnership with WHO and Global Citizen. 
Lady Gaga tuned in to the conference from her home office and stressed that Saturday's special will be a love letter to the medical professionals and all the emergency workers selflessly and tirelessly fighting against COVID-19 day after day.
She also announced that a total of $50 million has been raised with huge donations from massive corporations which now include The Coca-Cola Company, Procter & Gamble and Johnson and Johnson.
Gaga has also announced that the legendary rock band Rolling Stones will be joining the concert for a special performance.
More information about the event and its start-studded line up can be found here.
The 8-hour special will be broadcasted this Saturday night, April 18th.
Watch the speech below:
 
Matheus
Matheus

MGM Buys Riddley Scott's Gucci Movie With Lady Gaga

The Hollywood Reporter has exclusively reported that MGM is acquiring the rights to Ridley Scott’s Gucci, a true crime drama about the murder of Maurizio Gucci who once served as the head of the iconic fashion house. The media company is said to be in talks with Lady Gaga to star in the production. MGM was given full control to develop the story over Netflix and one other streaming service, partly because it offered the possibility of a theatrical release, which was a key factor in consideration for Ridley Scott, sources say. 
Gaga would return to the silver screen as Patrizia Reggiani, Gucci's ex-wife who was arrested and convicted of arranging the killing of her husband in 1998 after she found out about an affair. The script was developed by Roberto Bentivegna around a book by Sara Gay Forden named The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed, and published in 2001. The book takes the audience behind the scenes of the murder, the motives behind it, the trials and the passions, the power and the complexities of one of the greatest families in fashion. Maurizio Gucci was the grandson of Guccio Gucci, the founder of the eponymous fashion house, and lead the company in a declining period in the 1980s.
The release of the movie currently is set as Nov. 24, 2021. "Nothing typifies bold, audacious originality more than a film by Ridley Scott," says De Luca in a statement. "All of us at MGM are incredibly excited to be in business with Ridley, Giannina, Kevin and the whole team at Scott Free."
Source.
LadyOfTheDame
LadyOfTheDame

Lady Gaga Graces The Cover of InStyle

Lady Gaga graces the cover of US InStyle's May Beauty Issue. She talks about her delayed 6th studio record Chromatica, politics, marriage and her famous "f" tweet that went viral on Twitter. You can read a part of the interview below.
 
Lady Gaga is fully aware that our topsy-turvy world could use a bit of sonic relief — and if she’s being totally honest, she could too. Case in point: A few days after the release of "Stupid Love," the first single off her new album, Chromatica, every other news story was about the coronavirus crisis. But a clip of a somber press conference in Italy went viral when an attendee’s ringtone set to the song accidentally went off and produced a few much-needed laughs. Gaga retweeted the link with the comment, "And this is why I make music."
For true-blue Gaga fans Chromatica is worth the wait. The album was originally set to be released on April 10, but when the novel coronavirus became a pandemic, the star put those plans on hold to focus on an even bigger mission: partnering with the international advocacy organization Global Citizen to raise $35 million (and counting) for the World Health Organization’s Covid-19 Solidarity Response Fund. She also curated a lineup of her fellow musicians for a two-hour special, One World: Together at Home, which will be broadcast on all major television stations on April 18.
As of now, Gaga still intends to follow through with her plans to support the album with a six-city tour, The Chromatica Ball, kicking off at the end of July. Should the concerts come to pass, plan to wear your dancing shoes. Whereas her previous release, Joanne, was a folk-tinged album for dive bars, Chromatica is a return to Gaga in her purest pop form. At a preview listening, the swell of the first few notes was an instant stress reliever, as if long-lost tracks from the "Paparazzi" era had just been found, polished up, and newly released. It’s her original sound with a grown-up twist. She’s even brought along a few of her famous friends for guest spots. Co-produced by 29-year-old whiz BloodPop®, who has previously worked with Grimes, Justin Bieber, Madonna, and Britney Spears, Chromatica speaks to the prismatic range of experiences that have informed Gaga’s life.
 
"I feel very grateful for what I've been a part of and what I've been invited to be a part of," Gaga says. "All these artistic experiences made me who I am today. It's like when people get married and say, 'Through thick and thin.' That's how I feel about myself. I feel like, 'You know what, Gaga? You know what, Stefani? In sickness and in health, I'm with you, and I'm going to hold your hand whatever the outcome.'"
The 34-year-old Gaga seems to be at the top of her game leading into Chromatica's release, but getting to this place has been a thorny process. She has been to hell and back and has lived to tell the tale through her music. Stratospheric fame is overwhelming enough, but for years Gaga was suffering from PTSD from having been raped when she was 19. As she told Oprah Winfrey in January during her 2020 Vision tour in front of hundreds of people, a "psychotic breakdown" forced her to address what had happened to her. Gaga, who has always been upfront about her mental-health issues, said the psychological anguish led to intense, chronic physical pain that was eventually diagnosed as fibromyalgia. Her current treatment cycle of medication, meditation, radical-acceptance therapy, and self-care is helping her to feel the best she has in years.
 
"I think it took me some time to grieve about the things that have happened to me, and I couldn't be angry with myself for how long it took," she says, admitting that her glittery façade was often just that. "I've been depressed and been at the grocery store and seen photos of myself and gone, 'Well, I look like everything is good.' But I was secretly freaking out, and the world had no idea. Or some people in the world. I hate using that phrase 'the world.' It's so egocentric to assume the whole world thinks about or knows about me. It doesn't."
What does someone who has experienced so much really want out of life? "Marriage," says the star (who, according to her Instagram feed, is currently dating tech entrepreneur Michael Polansky). "More music, more movies, more charity with the Born This Way Foundation [a nonprofit dedicated to empowering youth and supporting mental health and wellness]. I want to do way more philanthropy. I want to help fund more research about fibromyalgia and neuropathic and chronic pain by putting a team of doctors together. I have a lot of dreams and hopes. What I will actually accomplish, I have no idea, but I know that I'll be doing it with the people I love."
Perhaps most important for the woman who calls herself Mother Monster is starting her own brood. "I will say I am very excited to have kids," Gaga admits. "I look forward to being a mom. Isn't it incredible what we can do? We can hold a human inside and grow it. Then it comes out, and it's our job to keep it alive. It's so funny — everyone works out of my house every day. When they come in, I always say, 'Welcome to the Womb!'"
 
Politics are also on her mind, although Gaga, who famously campaigned for Hillary Clinton in 2016, hasn't publicly gotten behind a candidate yet. (Our interview takes place a few days before former Vice President Joe Biden wins the South Carolina primary.)
"I want to make an informed decision as a citizen on who to vote for in the election, but I do not obsess over figures who do not deserve to be obsessed over," she says. "I'm not going to hang my hat for humanity on one individual. It's also on us to run this country. Putting so much importance on the government as the overarching, all-knowing force that runs our lives — I just don't believe that to be true. I believe that we have the power to decide what the culture of this country looks like. We have the power to decide how we deal with one another socially. And we don't need to place too much power in anyone's hands. That said, I'm watching what happens. I think we all know who I will not be voting for."
Gaga knows the power of her sway, which can be both a blessing and a curse. She admits to having a love-hate relationship with social media. "I post some things from my personal life, I post some things from my business life, I post some things from my musical life," she says. "But I will say that I'm not super-obsessed with reading comments or counting likes or making sure everybody loves everything. Honestly, sometimes I wonder if the people who invented social media all got in a room and went, 'Let's start something where nobody has to be brave and everybody can hide and be mean.' It's not all bad, but a significant change has happened in culture as a result of it. This idea to socially network was supposed to bring us closer, but it built a bunch of walls and made it harder for us to be ourselves around each other."
Every so often she'll log on and tweet random things like the letter "f" or "I don't remember Artpop" (her third album). What gives? "I'm trying to crack the code that is the algorithm of the Internet, and I will do so in various ways," she says. "You may not always understand why an 'f' tweet gets that many likes. Who knows why? It was just a social experiment. I'm trying to understand people."
You can read the full interview here.
Abderrahmenxo
Abderrahmenxo

Upcoming Enigma Shows Cancelled

Lady Gaga’s Vegas residency set to take place at Park MGM this April and May have been canceled, according to an official announcement released through the show's web page. The  reason behind the cancelation is to comply with the recent CDC guidelines that ban gatherings of over 50 people to prevent the transmission of COVID-19. MGM Resorts International apologizes for any inconvenience this may cause the ticket holders, who may have already made travel arrangements to attend the shows. 
However, the canceled dates will be rescheduled and new dates will be announced soon. The ticket holders of the canceled shows will receive a full refund and pre-sale access to the new dates.
We can expect Gaga to return to Vegas and complete her Enigma journey in the near future when it is safe for thousands to come together and celebrate.
 
Jin
Jin

Lady Gaga Announces “The Chromatica World Tour”

Following the news from VIP Services at Park MGM Theatre that Enigma is officially ending after May 15, Lady Gaga has announced that she’s hitting the road again with her career spanning 7th tour, The Chromatica Ball World Tour! 
Lady Gaga has partnered once again with LiveNation to bring The Chromatica Ball World Tour across the globe.
July 24 - Paris
July 30 - London
August 5 - Boston
August 9 - Toronto
August 14 - Chicago
August 19 - New Jersey
Ticket Sale
Fans in the US and Canada can register for Verified Fan for first access to tickets. Register before 11:59pm ET on Saturday, March 7. Verified Fan pre-sale for Toronto begins on Thursday, March 12 at 10am ET.
The general sale begins Friday, March 13 at 10am ET. Verified Fan pre-sale for the US dates begin on Friday, March 13 at 10am ET. The general sale begins Monday, March 16 at 10am ET.
 
Fans in London & Paris can get priority access to the best tickets starting Tuesday March 10 by pre-ordering "Chromatica".
If you’ve already pre-ordered the album from the Official Store you get automatic pre-sale access.
General sale is March 13th – London at 9am & Paris at 10am.
Ticket Prices Paris
 
Regular
Carré or : 178,60€
Catégorie 1 : 140,10€
Catégorie 2 : 101,60€
Catégorie 3 : 90,60€
Golden Circle : 178,60€
Pelouse Or : 101,60€
Pelouse : 68,60€
Vip
Golden Circle Early Entry (VIP2)  : 266,60€
Peolouse Or Early Entry (VIP3)  : 189,60€
Hot Ticket (VIP4)  : 288,60€
 
Ticket Prices London
 
 
REGULAR:
Golden Circle : £167
Floor Standing: £85.40
Level 1/5  : £51.67 / £167.50  
VIP:
Golden Circle Early Entry : £266
Pitch Early Entry: £191
Hot Ticket Package: £261 
Hot Ticket Package Table (Table of 4): £446 ea
Hot Ticket Package Table (Table of 6): £446 ea
Ticket Prices New Jersey

Prices TBA.
Ticket Prices New Chicago

Front Row VIP Lounge: $1,500.00
Premium VIP Lounge: $995.00
VIP Lounge: $725.00
Little Monster's GA Pit Package: $475.00
P1 Field Aisle: $303.50
P1 Field: $283.50
P2 Field Standing GA: $183.50
P3 Bowl Aisle: $178.50
P3 Bowl: $158.50
P4: $98.50
P5: $58.00
*before taxes and fees*
 
Ticket Prices Boston

Gray GA pit: $183.50
Dark green turf aisle: $303.50
Lighter green zone 1 turf: $283.50
Light blue zone 1 aisle: $180.50
Blue zone Turf + Seating Bowl:  $160.50
Orange zone 3 aisle: $123.50
Yellow zone 4: $103.50
Teal zone 4: $58.00
*before taxes and fees*
 
VIP PACKAGES (US)
FRONT ROW VIP LOUNGE PACKAGE - $1,505
Each Front Row VIP Lounge Package includes:
One premium reserved ticket in the front row behind pit barricade Exclusive access to a backstage tour! Go behind the scenes and ask select members of the Lady Gaga crew what it takes to put her elaborate production together On-stage group photo opportunity from where Lady Gaga will be performing a few hours later* One VIP parking space per order** Exclusive access to a VIP Pre-show Lounge including: Hot and cold hors d'oeuvres and dessert bar with chocolate fountain Beverages including: beer, wine and signature Lady Gaga inspired cocktails*** Hotpoint music video experience & green screen photo booth to share on your socials Haus Laboratories sample stations Interactive games, cell phone charging stations and more! Limited edition Lady Gaga VIP gift pack Official VIP Lounge laminate Hassle free, pre-show tour merchandise shopping opportunity Red carpet photo opportunity in front of the VIP backdrop Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts *No artist participation included in package
**VIP parking not included in Chicago and Toronto
***Local liquor laws apply
PREMIUM VIP LOUNGE PACKAGE - TBA
Each Premium VIP Lounge Package includes:
One premium reserved ticket in first 10 rows Exclusive access to a backstage tour! Go behind the scenes and ask select members of the Lady Gaga crew what it takes to put her elaborate production together On-stage group photo opportunity from where Lady Gaga will be performing a few hours later* One VIP parking space per order** Exclusive access to a VIP Pre-show Lounge including: Hot and cold hors d'oeuvres and dessert bar with chocolate fountain Beverages including: beer, wine and signature Lady Gaga inspired cocktails*** Hotpoint music video experience & green screen photo booth to share on your socials Haus Laboratories sample stations Interactive games, cell phone charging stations and more! Limited edition Lady Gaga VIP gift pack Official VIP Lounge laminate Hassle free, pre-show tour merchandise shopping opportunity Red carpet photo opportunity in front of the VIP backdrop Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts *No artist participation included in package
**VIP parking not included in Chicago and Toronto
***Local liquor laws apply
VIP LOUNGE PACKAGE - $780 
Each VIP Lounge Package includes:
One premium reserved ticket in the first 20 rows Exclusive access to a VIP Pre-show Lounge including: Hot and cold hors d'oeuvres and dessert bar with chocolate fountain Beverages including: beer, wine and signature Lady Gaga inspired cocktails* Hotpoint music video experience & green screen photo booth to share on your socials Haus Laboratories sample stations Interactive games, cell phone charging stations and more! Limited edition Lady Gaga VIP gift pack Official VIP Lounge laminate Hassle free, pre-show tour merchandise shopping opportunity Red carpet photo opportunity in front of the VIP backdrop Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts *Local liquor laws apply
LITTLE MONSTERS GA PIT PACKAGE - $555
Each Little Monsters GA Pit Package includes:
One general admission standing ticket in the premium GA pit Early entry into the venue with priority access to the pit Limited edition Lady Gaga VIP gift pack Commemorative VIP laminate Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts GOLD PREMIUM TICKET PACKAGE - TBA
Each Gold Premium Ticket Package includes:
One premium reserved price level 1 ticket to the show Limited edition Lady Gaga VIP gift pack Commemorative VIP laminate Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts SILVER PREMIUM TICKET PACKAGE - TBA
Each Silver Premium Ticket Package includes:
One premium reserved price level 2 ticket to the show Limited edition Lady Gaga VIP gift pack Commemorative VIP laminate Dedicated VIP check-in and merchandise pick up location VIP concierge team and onsite hosts  
Join the discussion on our forum.
Abderrahmenxo
Abderrahmenxo

Lady Gaga Reveals Chromatica Artwork

The official album artwork of Lady Gaga’s forthcoming 6th studio record “Chromatica” has been officially revealed via Lady Gaga’s website. The cover was prematurely revealed earlier in the day by an online music retailer. 
The cover depicts a dystopian Lady Gaga laid amidst the Chromatica logo covered in metal and machinery, giving fans a sense of multiple past covers by Gaga including “Born This Way” and “ARTPOP.”
Join the discussion about the album cover on our forum.

 
Gaga also revealed a first look at the clear Chromatica vinyl with a blurred out version of the tracklist, to be revealed at a later time.

And finally our first look at 1 of 3 exclusive cassette tapes exclusive to her online shop:

Jin
Jin

Lady Gaga Makes Appearance During iHeart Benefit

Gaga made an appearance during the “iHeart Radio Living Room Concert for America” hosted by Elton John to bring awareness to the severity of the ongoing global pandemic, COVID-19. 
 
Although not performing, Gaga used her time slot to share a message of bravery, love and most importantly to her, kindness. 
You can watch the clip of Gaga below:
 
Jin
Jin

Happy Birthday Mother Monster!

34 years ago today, a child by the name of Stefani was born into the world, and now, after dominating and reinventing the landscape of pop culture as we know it over the last decade, we just call her Lady Gaga. 

From our team here at LadyGagaNow, we would like to wish the happiest of birthdays to our one and only, Mother Monster! Serving as our inspiration over the past ten years (and counting) we could not ask for a more positive, kinder, and loving role model to base a fan site around. 

We are fully aware that right now is a difficult and troubling time for a lot of people around the world, and we would like to help bring some light out of the darkness in celebration of the woman who’s impacted so many of our lives.
This year, in honor of the birthday girl, we have put together a fan project that will be directly sent to Mother Monster’s team in hopes of giving her a little birthday cheer! 

To learn more about the project and if you would like to participate, click here. 
We look forward to a time where our planet as a whole has healed from this crisis, and can’t wait until we can come together again and celebrate Chromatica. 
Jin
Jin

BREAKING: Chromatica Postponed

Lady Gaga took to her social media to reveal that her forthcoming album, Chromatica, would be postponed due to the global pandemic COVID-19.  At this time, the album’s new release date has not yet been announced. However, Gaga ensured the fans that Chromatica is still pretty much on the way, with the new 2020 release date to be announced soon.
Gaga said in her message that although she believes in the power of art to heal the world, it's is important for the attention to be focused entirely on helping those in need, and affected in any way from the ongoing global pandemic.
What about Enigma?
Gaga confirmed that her Vegas residency is officially cancelled between the dates April 30 and May 11 due to guidelines set by the CDC. However, other shows in May will continue as scheduled. More information to be released soon.
The Chromatica Ball?
The Chromatica Ball will continue over the summer as planned as of now, Gaga announced in her message.
A Secret Coachella set...
Gaga has also revealed that she has been planning to perform a secret set at this year's Coachella, before the festival also got postponed to October earlier this year. However, she revealed that she has so many things and fun surprises planned in celebration of Chromatica. More will be announced very soon. 
What do you think about Gaga's decision to postpone Chromatica? Continue the discussion on our forum and let us know..
 
READ THE OFFICIAL STATEMENT HERE.
 
Abderrahmenxo
Abderrahmenxo

Enigma Officially Postponed

Park MGM Theater took to Twitter earlier this week to announce the postponement of Enigma in April due to concerns surrounding the global pandemic COVID-19. 
 
It has now been revealed by Ticketmaster themselves that every Enigma and Jazz + Piano date up until May 13 will be postponed in an effort to combat the further spread of COVID-19.
 
The date in which these shows will be rescheduled for has yet to be announced, 
As per Lady Gaga’s official site:
”Guests are advised to hold onto their tickets pending updated show information as they will be honored for the rescheduled date.
Tickets will not be automatically refunded. Guests wishing to receive a refund must do so at their original point of purchase. Please reach out to the Guest Services team at (877) 880-0880 for additional inquires.
Lady Gaga’s team will continue to work with MGM Resorts around the May 2020 shows and will provide updates as they are available.“
Abderrahmenxo
Abderrahmenxo

Lady Gaga Goes Full Transformation for PAPER MAGAZINE

"I consent to being nude with everyone in this room," Lady Gaga says, before slipping off her custom Versace robe emblazoned with her name on the back in crystals. "I believe we're making art, this isn't pornography." With nothing on — not even her signature towering heels — the 5'2'' pop star walks confidently onto set for our cover shoot and positions herself inside a cage with hundreds of cameras attached to its frame. The countless lenses focus on her naked form, prepped to capture all angles of her body, as she holds one still pose and patiently waits for further instruction. "Three, two, one." Flash. Every camera goes off in unison like lightning.
The scene is immediately jarring: A global icon, whose career has been closely documented by cameras, sometimes against her will, and whose art has frequently centered on the violence of paparazzi culture, submitting herself to the same technology that's made — and challenged — her for the past 10 years. She calls for her longtime manager, Bobby Campbell, to play a song off her sixth studio album, and asks him to turn it up: "Louder, please." Amidst a flurry of wild animal noises, references to partying in "BC" and fierce house beats, Gaga warns listeners to "battle for your life" on the track, as she mouths each lyric to herself. It's the only song played all day, and she requests for it to be queued back to back.
In control of all of the cameras is Belgian artist Frederik Heyman, who needs every inch of her body 3D-scanned in order to later create a computer-generated Gaga avatar in various digitally constructed environments. This multimedia cover shoot is in conversation with the visual language being honed by Gaga and her team for her new album, Chromatica, out April 10. It's named after a world "that celebrates all things" — where, according to Gaga, "No one thing is greater than the other." On set, Gaga works from this same headspace, treating everyone in the room as a collaborator, especially when it comes to styling. She specifically rejects wearing head-to-toe designer clothing, instead opening up conversation for "a more fucked-up" fashion direction. "It doesn't need to go together, it just needs to be upsetting," she says, pointing lovingly to a pair of flame-printed panties.
  All clothing and accessories: Balenciaga
When Heyman describes his plan to depict the pop star as a contrasting half-human / half-android figure, Gaga, ever the artist in control of her nuanced brand and vision, quickly challenges the intent behind this idea. "I don't like futurism for the sake of it," she respectfully asserts more than once. Gaga is also fixated on a much deeper truth at the heart of Chromatica's ethos. "A robot puts me above people," she muses. "Do you think a robot me is better than a human me?"
WHEN WE MEET AGAIN at Gaga's Los Angeles house the next day, her hair is dyed hot pink, and she's wearing a matching magenta shirt pierced with dozens of safety pins, fishnet stockings, underwear and massive black Demonia platforms. She walks into her private at-home recording studio — whiskey in hand — and informs me that somebody else had been using the space, so she'll need a few minutes to reset her sound system. Expertly navigating an intimidating maze of knobs and plugs, Gaga preps the room to play her new, unreleased music. This is the same studio where she completed Chromatica, and, she tells me, it once belonged to experimental rock musician Frank Zappa. Gaga's been living in Zappa's former LA home while her Malibu spot is under repair for damage caused by the California fires. She hasn't been back since leaving.
"This isn't Joanne," Gaga jokes up front, previewing new material that stands in contrast to her stripped-down fifth studio album, which saw her venture into folksy Americana influences à la "Million Reasons." Gaga then cues up the first song she wrote for Chromatica: lead single "Stupid Love," a relentless, driving disco-pop tune that revels in the joyful foolishness of loving someone. "I want your stupid love," she repeats passionately on the chorus — a similar sentiment to 2009's "Bad Romance," only Gaga's outlook now is much healthier and more independent. "Nobody's gonna heal me if I don't open the door," she sings, later doubling down: "Now it's time to free me from the shame."
When Gaga plays her new music inside the studio, she blows out of her seat and dances wall to wall as if performing for an arena of thousands, only she's just a few feet from me. Even a private show from Gaga somehow feels massive. Working through the "Stupid Love" music video's choreography, she holds direct eye contact — pointing and lip-syncing — before swiftly spinning around and watching her reflection in the recording booth window. By the end of each track, she's completely out of breath. It's immediately clear that these songs are something of an antidepressant for Gaga — the lyrics and melodies have temporarily relieved her from excruciating pain and the trappings of fame, as she's previously tweeted about.
Gaga is well aware that "Stupid Love" leaked in January, long before she'd even filmed its video or planned for anyone to hear it. She jokes that when hackers typically find her material, they'll leak their favorite, which validated her decision to make the track open the Chromatica era. Many fans figured she'd rush it out, but Gaga wasn't interested in releasing anything half-baked. "There was a minute where me and my manager, Bobby, were talking, 'Do we change the single?' We'd just spent months and months developing this video and choreography. And I said, 'Nope!' You know why? Because the song, when it's mixed, mastered and finished with the visuals, and everything I have to say about it — when all those things come together at once, that will be the art piece I'm making. Not a leak."
As expected, Gaga's final "art piece" is wildly ambitious, with an iPhone-shot music video that saw 50 dancers film for two days straight in the hot, dry California desert. In it, her "Kindness Punks" — dressed in that same bubblegum-pink shade Gaga wears in her studio — rush to break up a fight between different tribes segmented by colors. Gaga presents as a warrior leader, with the Chromatica symbol on her forehead like a third eye and accessories that resemble armor, from a massively spiked belt to a full-face shield. In addition to the "Kindness Punks," of which Gaga is a member, there are the "Freedom Fighters" in blue, "Junkyard Scavengers" in black, "Government Officials" in red, "Eco Warriors" in green and "Cyber Kids" in yellow. By the end, they all ultimately find mutual peace and dance together as a full spectrum.
This experience, Gaga says, further proved her newfound appreciation for the power of nature over technology. Prior to filming, Gaga rehearsed for three days and her dancers immediately followed with five of their own. Her longtime choreographer, Richard Jackson, who's responsible for movement in everything from "Telephone" to "Applause," had the challenge of creating and teaching dances that would last the duration of "Stupid Love" without stopping. Gaga gushes, "I want you to imagine people dancing for eight to 10 hours straight. I watched them work so hard — the blood and sweat. Scrapes from dancing in the desert or getting poked in the eye from a stud that knocked them in the face. They're breathing in sand, they can't see. The conditions alone were ridiculous."
  After extensive rehearsal, a drone was finally used to film the scene on-site, though it didn't have nearly the same drive as Gaga and her dancers. "The damn thing lasts three-and-a-half minutes" before dying, Gaga laughs. "I was like, 'Oh, are you tired? Was that choreography too hard for you?' And I had another epiphany: I said, 'I can't even rely on this drone to capture this shot for me. But these dancers behind me? Their bodies are killing them, they all feel like fainting. That is more powerful than anything. The human spirit is remarkable.' I told the dancers before we left for the desert, 'This might be the hardest thing you've ever done, and if it's not, I did it wrong. But you can do it, and when you look back on this time, you'll remember how strong you are.'"
WHILE RECORDING Chromatica, Gaga says she often "couldn't get off the couch" because her head-to-toe body pain was so extreme. But BloodPopŽ, the hit producer whom Gaga describes as the "center" of her new album, would consistently empower her to push forward and create. "He'd be like, 'Come on, let's go. We're going to make music.' And I'd be maybe crying or venting about something that was happening in my life over some pain or depression I was feeling." Together, they co-wrote songs that temporarily brought Gaga joy. "I'd start out the day so down and I'd end up dancing, looking in the mirror, practicing my moves, singing along," she says. "Every day was an enlightening experience, but it had to happen every day."
Gaga was 19 years old when she was raped repeatedly by an unnamed man she knew in the entertainment industry — an incident she openly discussed during aOprah's 2020 Vision tour. The musician developed PTSD as a result, exacerbated by her decision not to seek treatment early on. "I did not have a therapist," Gaga told Oprah in January. "I did not have a psychiatrist. I did not have a doctor help me through it. I just all of a sudden became a star and was traveling the world, going from hotel room to garage to limo to stage. And I never dealt with it." Instead, Gaga said she "used to cut" herself as a means to cope with everything that triggered her pain. "I have scars," she told Oprah.
  After years of having avoided processing her rape, Gaga's body finally said "enough" in 2013. Little Monsters will recall a video capturing the exact moment Gaga's hip broke while she was performing "Scheiße" in Montreal during her Born This Way tour. She let out a bloodcurdling shrill, slowly lowered herself to the ground and somehow still mustered the strength to complete the song's difficult choreography. All remaining tour dates were then cancelled, while Gaga privately recovered. In 2017, Gaga was diagnosed with a condition called fibromyalgia, which leaves her with chronic full-body pain as a trauma response, recreating the illness she says she felt after being raped. "The debate around fibromyalgia, we could have it for hours," Gaga says, matter-of-factly. "Some people believe in it, some people don't. Essentially it's neuropathic pain: My brain gets stressed, my body hurts." For the past few years, Gaga has been rightfully angry at having limited solutions for living comfortably with the pain. "[I'm] angry at my body, angry at my condition, angry that when I'm stressed my body hurts," she says.
"I know what it's like to be in pain. And I know what it's like to also not let it ruin your life."
She describes something called "radical acceptance" as a means for getting her through this dark period, "where you have to 'radically accept' that you're not going to feel well every day, maybe a little bit. Some days are way worse, some days aren't. But you know what I can do? I can go, 'Well, my hands work; my arms work; my legs work, even though they are sore; my back works; my brain works; my heart works; I'm taking breaths, my lungs work.' You can just be grateful for what you can do."
Chromatica can be seen as a reflection of this radical acceptance; it's an album Gaga describes as "dancing through her pain." Featuring explosive anthems that brim with euphoric synth-pop climaxes (way bigger than The Fame), its lyrics nevertheless reflect Gaga's more somber, personal experiences. "It's a smack across the face throughout the album," Gaga says of its celebratory sound. "We don't stop being that happy. You will hear the pain in my voice and in some of the lyrics, but it always celebrates."
Still, Gaga acknowledges the idiocy of unwavering happiness (and the fact that pop, and the mainstream music market at large, is often designed to sell that lie). "Give me a break, [happiness is] not that simple," Gaga says. "I have clinical depression. There's something going on in my brain where the dopamine and serotonin are not firing the same way, and I can't get there. If someone says, 'Come on, just be happy,' I'm like, 'You fucking be happy.'"
With Chromatica, however, Gaga wants to put forth an ideology that suggests it's possible to feel joy even at the same time as you're experiencing sorrow — like putting a happiness filter on life. "I will do whatever it takes to make the world dance and smile," she says. "I want to put out a record that forces people to rejoice even in their saddest moments. And by the way, I'm not standing over here with a flag going, 'I'm all healed, everything's perfect.' It's not; it's a fight all the time. I still work on myself constantly. I have bad days, I have good days. Yeah, I live in Chromatica, it took a minute to get here, but that doesn't mean I don't remember what happened. So if you're in pain and listening to this music, just know that I know what it's like to be in pain. And I know what it's like to also not let it ruin your life."
OF COURSE, you could say Gaga's music has been "making the world dance and smile" since day one. Often, the exuberance she makes people feel is rooted in her embrace of inclusivity and equality — steady themes throughout Gaga's career, from her early opposition to the US military's discriminatory "don't ask, don't tell" law (repealed in 2010) to her LGBTQ epic, Born This Way, released in 2011. "No matter gay, straight or bi, lesbian, transgender life," she sings on the title track, which ultimately inspired the creation of her Born This Way Foundation "for a kinder, braver world." But another recurring motif has always been a fixation on the future. In the Nick Knight-directed music video for Born This Way's title track, Gaga births a new, "infinite" race that "bears no prejudice, no judgment, but boundless freedom." As the character "Mother Monster," she's soaked in extraterrestrial pregnancy slime, living on G.O.A.T. (a "Government-Owned Alien Territory" in space), and describing the "mitosis of the future" in relation to her fantasy anti-hate militia.
Nearly a decade later, Gaga now says "we're living in the future," which is why Chromatica — as a concept — feels like the result of every seed initially planted on that intergalactic G.O.A.T. In her studio, Gaga clarifies her updated stance on futurism, and the reasons she wanted to question it on set. "I've been obsessed with the future for so long, going, What's next?" she says. "And then I turned back and looked at my life. I unpacked all the things I've learned that have helped me and that have hurt me, and that taught me infinitely more. Now, [the past] informs my work. It's like I was blocked because I was so obsessed with what was next, what was coming, what does it mean to go forward, that I didn't realize I was already in the future. And where we are, where we stand in the present, is powerful."
  Today, Gaga says she lives in Chromatica, which, unlike G.O.A.T., isn't a fictional location at all. "It's a perspective," Gaga corrects, pointing to her heart. "It's right here. I might sound silly, but I'm on it right now — I'm not on another planet. If you see and listen to Chromatica, and you want to live there, too, you're invited. But I do want to be clear that it's not a fantasy." Gaga earnestly explains that it's as if she "deleted Earth" and "replaced it with Chromatica" in her mind, making this abstract, arguably absurd process seem realistic. Admittedly, I want to be in Chromatica with Gaga, too. Maybe I am?
She came up with the name alongside BloodPopŽ, who previously worked with Gaga on Joanne, as well as with artists like Justin Bieber, Grimes and Madonna, among others. Together, they felt Chromatica represented, in its simplest form, "a spectrum of people" that "all shared the same perspective" and always believed in "kindness over war." But Gaga wanted its ethos to dig even deeper. "It became not just about saying all people are included (all colors, all races, all ethnicities, all gender identities, all sexual identities, all religious identities)," she says. "It's saying there are more colors and more kinds than we could possibly fathom. We're all so different and that's the perspective."
But Gaga reiterates that Chromatica is not "this imaginary fairy-tale happy land where everything's perfect," and understands the inevitability of darkness co-existing with the light. "In order to understand love, you have to understand that there's hate," she says, in another parallel to G.O.A.T. and her "Born This Way" video when Mother Monster questions, "How can I protect something so good without evil?" Much as Gaga continues to reconcile these opposing forces on Chromatica, she also needed to wrestle with this duality in her own life and face her preexisting trauma head-on, which she says is the "bravest step you can take as a human."
Referencing close friends who have struggled with finding healthy ways to work through their own pain, Gaga explains what made her realize just how difficult it is to honestly process your past. "I can't tell you who, but I've met people who have said to me, while sucking down bottles and bottles of wine and doing drugs, 'I will never do what you did. I will never take care of my heart and my emotions the way that you have.' And it really made me think about what a step it was for me in my life to decide to get healthy mentally."
Gaga continues, "I want my legacy to be the most beautiful diary that I ever could've made. And diaries are meant to be true. I think when we start lying to ourselves in our diaries, we start to create secrets within ourselves that don't help us. I like to look myself squarely in the eye now."
WHEN GAGA LOOKS BACK on the evolution of her music career, she sees a clear development of influences. She starts by referencing her rape as a life-altering experience that set the tone for how she created art as a young adult. Not long after, she "went on tours and became very traumatized by the pace of fame and everything I had to do — what was required of me physically and mentally changed the way I wrote. Relationships, family, friends, isolation, traveling all the time, no sleep." Through it all — the inevitable extreme highs and lows of a superstar who's been built up and torn down by the public — Gaga says she doesn't regret anything she's ever made.
I was like, 'I'm going to die soon, so I better say something important.' Now I listen to it and know that I'm going to live."
The topic of ARTPOP comes up, specifically Gaga's contentious 2019 tweet, "I don't remember ARTPOP," which sent fans into an absolute frenzy in defense of her underrated, critically slammed 2013 effort. As it turns out, Gaga does, in fact, recall her sometimes controversial third album. "I think it's funny that I'm not allowed to have a sense of humor," she says. "The internet is essentially a big joke, but if I tell one everyone freaks out. I don't regret my art, and I wouldn't suggest anyone do." Though ARTPOP couldn't possibly compare to the colossal success of Gaga's first two albums, it's certainly her most experimental to date. (Justice for "Sexxx Dreams," the hit single that never was.) "I look back at ARTPOP and look at music today, and I see a lot of things that were very..." Gaga pauses to find the right word. "Futuristic. Or they were ahead of their time, and I'm okay with saying that."
There was a period where Gaga says she was more "introspective" and therefore wanted to make music for herself, starting with ARTPOP and then with Joanne. Both albums were polarizing, vastly different projects for longtime fans to initially digest, but they froze an honest moment in time for an artist being pulled in two directions: by the immense pressures of fame, as well as her own need for self-fulfillment. "Joanne was exactly what I wanted to do," Gaga affirms. "The way I wanted to do it, the way I wanted it to sound, and so was ARTPOP — everything about it. Every album has been exactly what I wanted to make at that time. It's just there was a period where I think I forgot about where I was, and maybe that's why it's been so important for me with Chromatica to reestablish where I am for myself. So that here can mean something very powerful."
While creating Chromatica, Gaga says she reconnected with the way she believes music moves through her, like a messenger for some higher spirit. She believes in God, having grown up Catholic, but says God is "too big" for her to fully understand. According to Gaga, ideas for songs on Chromatica came to her by "opening the portal to the other realm and listening to God," which is why it all sounds so positive. "That's what the other realm was telling me to create," she says. "I might, to some people, sound like I have a perspective on life that's eccentric, but I actually don't think that my talent belongs to me." When Gaga was younger, she remembers hearing melodies in her head and "running to the piano." The portal has been with Gaga her entire life, only she forgot for a brief moment to listen.
One such message led Gaga to collaborate with a fellow female pop star, who has similarly experienced immense trauma while in the public eye. Their song together is a monster of a dance tune, but its message is about submitting yourself to devastation ("It's coming down on me, water like misery") — a flawless dance floor crier as a "celebration of all the tears," Gaga describes. "I sat with her and we talked about our lives. It's two women having a conversation about how to keep going and how to be grateful for what you do." Without being prompted, Gaga raises the inevitable criticism that celebrities face when they say "it's hard to be famous." She knows that "75% of the world rolls their eyes," but Gaga counters: "Yeah, you can be in a mansion, but you can still be six feet under in one."
Elsewhere in Chromatica, Gaga explores topics like her antipsychotic medication ("My biggest enemy is me, pop a 911") and the undeniable force of femininity ("I'm not nothing without a steady hand"), the latter of which acknowledges both her own strength as well as that of the community who has "cheer[ed] her on" and helped her "become a woman." Specifically, she calls out trans women and gay men for helping her cope with PTSD and move past any spirals associated with reliving her pain. "In 2020, what does it mean to be a free woman?" Gaga questions, prompting a song that answers this question and sees her challenging the need to be with a man — or anyone at all — in order to survive. "Can I feel free on my own? Do I need to be loved in order to feel like I've conquered it all?" Speaking to the track's origin, Gaga says, "It came from thinking on some days I was going to die. I was like, 'I'm going to die soon, so I better say something important.' Now I listen to it and know that I'm going to live."
IF CHROMATICA is a mindset where "kindness rules all," created as a gift "for the world," Gaga says it was crucial for the collaborative process to also mirror these values. Gaga flags the difficulty of consolidating more than two years of music-making with tons of different producers into one interview, and instead proposes that she create an Excel spreadsheet for me detailing exactly who worked on what. Above all, Gaga wants to talk at length about BloodPopŽ, her other "nucleus" on Chromatica. "We combined," she says of working with him on this project. "I'm overwhelmed by the amount of love he had to offer me. I could not have made this album without him. He was the world's most incredible alarm when the ambulance was coming."
All of the musicians involved — BURNS, Axwell, Rami Yacoub, Benjamin Rice, Tchami and more — would work on Chromatica as an equal group effort, which is rare considering how so many producers "can get very territorial" based on Gaga's previous experience. "It was a very fluid process with no ego," she says. "Every single thing you hear on Chromatica was passed around and things would get removed, changed or altered. Everyone here heard it or touched it." That's why songs like "Stupid Love" sound notably soulful and complex. "It's easy to go into a computer and find a cool loop, but the producers I work with don't work this way. When they're inspired, they embroider things."
  From start to finish, Chromatica is firmly rooted in classic house, with crisp, clubby dance breaks that all sound like they're competing with each other to be the biggest on the tracklist. Sonically, it's perhaps Gaga's most focused, consistent album to date, with all these producer contributions laddering up to the same fearless electronic tapestry, weaving in unruly breakbeat outros, emotional power-pop melodies that send a dopamine rush through the brain and tons of slick, shiny synths. You can weep to these songs just as much as you can sweat to them, and Gaga seems to be encouraging both at once.
Tensions can easily rise in-studio, but Gaga proudly attests that she experienced the opposite while recording Chromatica. "I think the only day me and BloodPopŽ ever had a fight was when I was trying to learn a jazz tune because I was going to see Tony [Bennett] really soon. He was like, 'We have to finish this!' and I was singing a Cole Porter record in the corner," she laughs. "And that wasn't even really a fight." Rather, BloodPopŽ was more focused on bringing people together through this process. "It was like some really talented, wonderful men all joined arms with BloodPopŽ in front of all of them and he was like, 'Do you remember how much you've changed the world? Do you know how much you have to offer people?' He reminded me that every day, no matter how hard it was."
And on Chromatica, what Gaga offers is openness, honesty and an affirmation of the human spirit — hers and the rest of the world's. "The human spirit is more fucking powerful than anything," she says. "I think Chromatica is the most honest thing I could've ever created, and I'll never forget making this record. It's been one of the most special and hard times in my life." As if to drive home her points at the end of our meeting, Gaga picks up a giant, green crystal on the coffee table, surrounded by speakers, microphones and mixers. "Do you know crystals have been around for billions of years?" she asks, smiling. "The past is incredible. Look what we've done without technology. Look how we've survived without it. Look how we've kept going." Certainly no drone could say the same.
This interview originally appeared on PAPER Magazine here.
 
Join the discussion about this new cover on our forum here.
Abderrahmenxo
Abderrahmenxo

"Stupid Love" Enters Billboard Hot 100's Top 5

Lady Gaga's "Stupid Love" debuts at 5 on Billboard Hot 100. The lead single from the superstar's upcoming studio album has officially become her 16th top 10 hit on the chart. The song has entered the list with a total of 53,000 digital downloads, 23.7 million in audience and 19.7 million U.S. streams  across all platforms over its initial week of release. 
Although Gaga has yet to promote the single with personal appearances and performances, the song has received major support from the radio, streaming services such as Apple Music and Spotify, and also in the form of massive billboards around the world.
Can we get "Stupid Love" to #1? Stream the single, and we will find out!
Abderrahmenxo
Abderrahmenxo

Lady Gaga releases GAGAVISION 47

Lady Gaga has finally dropped the next episode to her fan-favorite 2011 series GAGAVISION. The 47th episode is now available to view on Instagram via Gaga's official IGTV. The 6-minute video features a look at the behind-the-scenes of the Stupid Love music video, from the rehearsals to the day of the shoot. It offers an intriguing insight into the creative process that culminated in the Stupid Love video as we know it today.
Watch GAGAVISION Episode 47 down below:
https://www.instagram.com/p/B9U1O1AFDYh/
Abderrahmenxo
Abderrahmenxo

Lady Gaga Talks About Chromatica

Lady Gaga has given her first interview of the LG6 era, which can now officially be called the Chromatica Era. 
Read Lady Gaga's first interview about Chromatica below.

Discussing the albums concept with Zane Lowe on Beats1, Gaga said:
“The symbol for Chromatica has a sine wave in it, which is the mathematical symbol for sound, and it’s from what all sound is made from, and, for me, sound is what healed me in my life period, and it healed me again making this record, and that is really what Chromatica is all about. It’s about healing and it’s about bravery as well and it’s really like, when we talk about love I think it’s so important to include the fact that it requires a ton of bravery to love someone.“
“BloodPop® [who executive produced Chromatica with Lady Gaga] brought it up, and we talked about how Chromatica was essentially on its own when you first look at it, it seems to be about colors and all the different colors and also music is made of a chromatic scale, you know? So it’s all the colors, all the sounds, you know, so we, we’re talking about inclusivity and life and also a lot of what we see around us and what we’re experiencing is math, which is very much like music and and sound is math as well. So we talked about that, and then I sort of went back and I said, “OK, well, yeah, it’s inclusivity but it's really a way of thinking,” you know, it's not just, “Oh, Chromatica, we’re being inclusive with all the colors, all the people,” and when I say, “All the colors, all the people,” I mean way more than we could possibly fathom”
“I think that we’re actually operating on a completely rudimentary level where we square things off into very simplified colors when actually we’re all extremely different in a vast variety of ways that stem from both, like, genetics as well as epigenetics, like, we’re all completely different and I thought OK, well maybe, Chromatica is a frame of mind. And that is my frame of mind, and I don’t know that I’ve ever made an album that wasn’t on Chromatica in some type of way, meaning like my frame of mind is always a part of my music, and this is just my way of kind of expressing, even in a both literal and abstract way, that, like, making music and putting it out into the world is my perspective on life, and it’s also my gift to the world in the best way that I can, and I think that everyone on any given day is doing the absolute best that they can do, and this is my perspective, and here it is, and it’s always been my perspective, but now I know that it was my perspective.”
Abderrahmenxo
Abderrahmenxo

Lady Gaga talks Stupid Love and LG6 with Zane Lowe

Lady Gaga took to sitting down with Beats 1 to have a conversation with Zane Lowe about her new single “Stupid Love” and LG6:
“We are definitely dancing. I put all my heart, all my pain, all my messages from the other realm that I hear of, what they tell me to tell the world and I put it into music that I believe to be so fun and you know, energetically really pure.” and touched on how she hopes the world accepts it “I would like to put out music that a big chunk of the world will hear, and it will become a part of their daily lives and make them happy every single day."
Wrapping up the interview she talked about the involvement on LG6 saying: “You know how producers are, if one guys working on it or one girls working on it, they don’t want anyone else to work on it... these records got passed around to so many different people there were so many different iterations of these songs because we all wanted it to be perfect and literally nobody cared who put their fingerprints on it as long as it was the dopest thing we could give to the world and that it was meaningful, authentic and completely me."
And even debuted some new lyrics from LG6! 
"Every single day, yeah, I dig a grave. Then I sit inside, wondering if I’ll behave. 
It’s a game I play. And I hate to say, you’re the worst thing and the best thing that’s happened to me." 
 
Abderrahmenxo
Abderrahmenxo

Lady Gaga Takes ENIGMA To Miami

Lady Gaga took her ENIGMA Tour to Miami to perform at the Super Bowl pre-concert: "Super Saturday Night" hosted by AT&T TV.
A custom venue called Meridian Island Gardens was built for the occasion in Miami Beach: on the multi-levels building, AT&T hosted multiple interactive 5G experiences for fans including a 60 foot Monster Wall with over 25,000 combinations and exclusive angle Fan Cams.
After a relaxing morning with her new boyfriend, Lady Gaga walked the red carpet before her show.
The concert was live streamed on Twitter and it grossed $250.000 for the Born This Way Foundation with the hashtag #SuperSaturdayNight.
You can re-watch the event below or download it here.
Thanks to our friend GagaMediaArchives.com for the video and download link.
Matheus
Matheus

Lady Gaga Wins 2 Grammys

The 62nd Annual Grammy Awards ceremony took place on Sunday (January 26, 2020) at Staples Center in Los Angeles. Lady Gaga had a total of 3 nominations and 2 wins*:
Song of the Year - Always Remember Us This Way Best Song Written for Visual Media - I'll Never Love Again (Film Version)* Best Compilation Soundtrack for Visual Media - A Star Is Born Soundtrack* Gaga didn't attend the ceremony this year, breakinga 5 year streak of performances, including last years energetic rendition of "Shallow".
During the pre-show, she took home two Grammy awards: Best Song Written for Visual Media for I'll Never Love Again (Film Version) and Best Compilation Soundtrack for Visual Media for A Star Is Born Soundtrack, making her the first artist of the 2020 decade to win a Grammy and first artist to win Best Song Written for Visual Media twice in a row. 
These wins make her an 11 time GRAMMY Award Winner, following her 3 wins from last year with Shallow and Joanne.
Abderrahmenxo
Abderrahmenxo

Lady Gaga Talks Mental Health at Oprah's 2020 Vision Tour

Lady Gaga joined Oprah at her first stop on the 2020 Vision Tour Saturday afternoon in Fort Lauderdale, Florida to talk about daily self-care routines and other mental health-related topics
Struggles and Background:
Gaga began the session opening up about her struggles of being misunderstood in high school, revealing that this later lead her to create her On stage persona “Lady Gaga".
Recalling her constant struggles with PTSD, and looking back at when she did not have any help, Gaga announced that going into this decade, she would like people to be more educated on what Fibromyalgia is. She would also like to help solve this mental health crisis together with the best doctors, researchers, professors and scientists, expressing her vision of erasing the stigma on mental illness.
PTSD and her past experience:
Psychotic episodes and disassociation was another mental health issue that Gaga encountered recently. Moreover, she revealed that nobody in the industry wanted to help her put the person who raped her in jail, and that she has chosen not to reveal who it was.
However, Gaga divulged that she still has an ongoing struggle of PTSD from this incident.
Lady Gaga's Medical Routine and LG6:
Oprah moved onto discussing Gaga's self-care routines, medication being one of them.
It was also disclosed that her doctor prescribes her to take an anti-psychotic medication to help her from spiraling out and from spasming in her sleep. She also discussed learning to radically accept her conditions and her pain in Dialectal Behavioral Therapy because of the pain she endures with Fibromyalgia.
Gaga goes on to say that she work outs, practices transcendental meditation, and practices spreading kindness and bravery through the Born This Way Foundation as part of her self-care routines.
To the great pleasure (and demand) of eager fans, Oprah asks when her creative process of creating LG6 happens in the midst of all the time she puts into working on herself constantly. Gaga reassures her that despite all the time she allocates to working on herself, she is indeed still working on music and has been in the creative process for years.
CBS Morning Special:
You can also re-watch the full event below: 
 
Matheus
Matheus

Patrizia Reggiani talks about Lady Gaga's upcoming movie: "I want to disassociate myself"

Italian national broadcast company RAI, interviewed Patrizia Reggiani about the upcoming Ridley Scott's movie about the assassination of her ex husband Maurizio (Gucci's Grandson). Lady Gaga is scheduled to play Patrizia. 
When asked about her thoughts about the movie, Patrizia replied that she didn't approve nor was asked about her opinion about the making. 
Patrizia was tried and convicted of orchestrating her ex-husband’s assassination on the steps of his office in 1995. She served 18 years before being let out of jail in 2016.
Read the full translation by us below:
Patrizia Reggiani, did you know that Ridley Scott is about to make a movie with Lady Gaga about your life? How do you feel that they're putting what's happened in a movie?
I want to disassociate myself from it because I have two daughters. I don't want them to see what happened and relive the situation about their father.
So you're not happy about this news, I suppose you read about it in the newspapers?
Absolutely not.
What are you most afraid of? The fact that your daughters will experience it again?
Yes, exactly.
What's your relationship with your daughters today?
It's nonexistent. They say I'm guilty because I wanted the inheritance.
You mean that famous contract that said that if something happened to your husband Maurizio Gucci, you'd get a huge amount of money? How much are we talking about?
Yes that one. I believe almost 1 million Swiss Francs.
 
Later during the show, Italian producer and actress Tiziana Rocca shared her meeting with Lady Gaga in Las Vegas during her promotional tour for A Star is Born, saying how Gaga told her how much she loved Italians and how she still wants to prove to be a good actress even beyond music.
Ridley Scott's movie about Gucci doesn't have a release date yet. Ridley is famous for directing Alien, The Gladiator, Blade Runner, Hannibal and many more.
Watch the original interview by RAI below.
Jin
Jin

Frederic Aspiras Talks About The 5000 Wigs He Made For Lady Gaga

Billboard talks with Lady Gaga’s hairstylist, Frederic Aspiras, who revealed some inspirations and methods he used to cultivate and attune Lady Gaga to every persona she portrayed for the last decade. Read and excerpt of the interview below.
"You can change a person's attitude, mood, and day just by the way the way they feel through their hair."
"I was really nervous because I hadn't done a lot of makeup at the time. The kind of generosity he had as an artist was something I really identified with," Aspiras recalls with Billboard. "I didn't really show off my work and style but I really wanted to merge the two. I'm my own role model because we all strive to do better. In no way have I become a master of hair and I'm learning all the time, but I also have a lot to give back and have a lot of responsibility. This journey had really taught me to become a better person and artist."
Upon making the successful transition from San Francisco to Los Angeles as a celebrity hairstylist, Aspiras spent nearly four years working with Paris Hilton. He planned on taking a vacation after touring with Hilton -- until he received a call from agent Kent Belden of The Only Agency, who asked if he would like to work with Lady Gaga in 2009. "I had just seen her on stage during an award show, and she needed somebody for her tour," Aspiras continues. 
"I said, 'Sure, why not, I would love to play with new hair.' I remember working for her the first night and she was so respectful of my ideas. I created one look for the Monster Ball tour, and before you know it, we were bouncing ideas off each other, creating every single look from there."
The duo has seen many wins during their career trajectories over the past decade.
"With Gaga and I, we respect each other's creative voices," he says. "And with that kind of respect coming from somebody you live for, you create that special bond, you never want to let that go. It brings out something really good in you. That's what friends do for each other."
 Tell us about the collaboration process between you and Lady Gaga.
I look to her as an artist. So how we approach that is usually during meetings for a project. It's so important to listen to an artist, as she brings the inspiration out of you for her vision. I would need to create styles throughout [her shows] that contributed to her story. Sometimes I would recreate hairstyles on wigs so she can try out different hairstyles with different outfits. So I'm constantly [thinking of] new ideas I want to do with her in my studio.
What would you choose as the most memorable hairstyles you've created for Gaga over the years?
The most memorable moment was for the Venice Film Festival for A Star Is Born [last August]. I saw her step out of the hotel in her feathered dress and cried because it was so beautiful. There was a thunderstorm, I don't know what happened, but it was like a [Federico] Fellini movie scene! The next would have to be the [2017 Super Bowl halftime show] because it was monumental. It was such an important moment in her career so it had to be perfect! And her hair changed halfway. To watch it on playback was beautiful. 
Another one was the [2012] Born This Way world tour. We became family on that tour, spending day and night together. I created so many styles for it. I never got bored while we toured around the world three times. When we did American Horror Story: Hotel [in 2015], [makeup artist] Kim Ayers and I had to come up with something like 70-90 different hairstyles [for the singer's Countess character]. We were on set sometimes from five in the morning to three in the morning. It was really, really hard but rewarding.
How would you describe her current hair aesthetic? 
She is such a beautiful human being. Her aesthetic so far this year is something that reflects who we are now as artists. I can't speak for her, but I can say I'm a more comfortable stylist now because of her.
How do you decide when to use a wig versus her natural hair?
We don't decide. It depends based on the looks, style and color. And with things like hair extensions, people have realized they don't need to bleach their hair. If there is a time where I feel like it might damage her hair, I would suggest a wig, which looks just like her hair. 
So how many wigs do you think you two have amassed together?
She has some, but I have all the wigs. I had archived them through the years. I would say there are about 5,000. There's also a collection you can see in Las Vegas, and a lot of them are in New York.
What does Lady Gaga like to listen to while getting ready?
When she first walks in, I would probably play some Don Henley because you're sitting for so long. I would also bring in some Ace of Base. I would love to play ARTPOP -- it’s my favorite album. I would also play jazz like Tony Bennett, of course. She actually played for me when I went to receive my [Hairstylist of the Year honor at the Daily Front Row Awards in March], and I cried. We have a great time in the trailer talking to each other. It really is like a family.
 
You can read the full interview here.
Matheus
Matheus